DSE Chinese: Paper 2 Long Question Prep Guide (for tutors) | Prompt analysis, thesis, five-paragraph frame and detail
- 2026-11-02
What students hand in is a story without a subject: grandmother cooking, and no statement of why it matters. This lesson demands one thesis line before the first sentence, and every piece of material has to serve it.
01 Prerequisites (3-minute check)
If any of these fails, fix it before the lesson starts.
| Skill | Quick check | Pass mark |
|---|---|---|
| Prompt analysis | Which words in a prompt are constraints | Time, place, person, emotion words |
| Paragraphs | One central sentence per paragraph | Put it first |
| Description | Name the five senses | Sight, hearing, smell, taste, touch |
02 Lesson flow (75 minutes)
| Time | Stage | Tutor does | Student does |
|---|---|---|---|
| 0-10 min | Prompt and thesis | Circle the verb, mark limits, write the thesis line | A thesis that passes the check |
| 10-20 min | Select material | Three pieces, one per paragraph | Each piece serves the thesis |
| 20-70 min | Draft | Five paragraphs, 650 characters at about 8.7 a minute | All five paragraphs done |
| 70-73 min | Check | Wrong characters, spoken forms, repetition | Fix at least three items |
| 73-75 min | Exit check | Three questions marked on the spot | All three right |
03 Teaching script (read it out)
Scene 1: The thesis must be one sentence before any drafting
The thesis takes one shape: through this event, I came to understand this idea. If that sentence will not come out, do not start paragraph one.
650 characters in 75 minutes is about 8.7 characters a minute, so planning has ten minutes and the thesis cannot be discovered while writing.
The thesis must be checkable: if removing a piece of material leaves the thesis intact, that material is surplus.
Where a prompt carries two key words, the thesis must handle both; answering only one is half off-task.
Ask the class: what two parts does a thesis contain (event and idea).
Scene 2: Five paragraphs: open, develop twice, turn, close, at even length
Paragraph one opens in scene and enters the event in two or three sentences, never from a general remark about life.
Paragraphs two and three develop one event in two layers: what happened, then how I responded at the time.
Paragraph four turns: a change or a conflict, perhaps one line from another person or a discovery, that redirects the thinking.
Paragraph five answers the thesis line and lifts from personal experience to a general condition in two or three sentences, without retelling the whole piece.
Length is controlled by paragraphs: five times 130 is 650, so an opening over 130 characters is already a warning.
Ask the class: what job does paragraph four do (the turn).
Scene 3: Detail and lift: concrete enough to see, abstract enough to state
Detail replaces adjectives: not she was exhausted, but the skin on the back of her hand was split and taped, and she kept washing.
Lifting is not preaching: from grandmother cooking to I began to cook myself, then to some care is silent, three steps are enough; do not append a lecture about life.
Check three things: spoken forms (actually, kind of), wrong characters, and any sentence written twice.
Spend the last minute on the opening and the ending only, because those are the two places a marker reads first.
Ask the class: how far should the closing lift (from the personal to the general, not to a lecture).
04 Question types and worked steps
| Type | Example | Steps | Answer |
|---|---|---|---|
| Set narrative | One unforgettable event | Scene opening, two-layer narration, turn, answer the thesis | Opening under 130 characters |
| Half-titled | That time I learned blank | Fill the blank first; the word sets the thesis | The filled word appears twice or more |
| Argumentative | On persistence | Claim, evidence, concession, conclusion | One concrete example per body paragraph |
| Descriptive | A corner of the market | Layer the five senses, far to near | At least 3 sensory details |
Five paragraphs of about 130 characters each: an opening already at 200 guarantees a rushed ending.
The lift must follow causally from the event; bolted-on morals read as off-task.
Never use the same material twice, because a repeated event reads as a missing paragraph.
05 Independent practice (3 questions)
| Question | Answer | What to watch |
|---|---|---|
| Write a thesis for a half-titled prompt | One sentence with event and idea | Shape: through this, I understood that |
| Turn she was exhausted into three details | One action, one sound, one touch | Delete every adjective |
| Write the three closing sentences | Three sentences, personal to general | No therefore we should construction |
06 Common mistakes and what to say
| Mistake | Student writes | Say this |
|---|---|---|
| Drifting into explanation | I wrote a lot of information about the topic | A narrative prompt needs time, people and dialogue; information is only background. |
| An overlong opening | I wanted the background clear first | Keep the opening under 130 characters: two sentences of background is enough. |
| Story without reflection | The event finishes and that is it | Paragraph four turns and paragraph five answers the thesis. |
| Spoken forms in writing | I was like so unhappy | Written register: I was unhappy then, though I could not say why. |
07 Homework (paper, section and question numbers)
- Practice: three thesis lines with matching material — Three pieces of material per thesis
- Practice: ten detail sentences, no adjectives — Half action, half sensory
- All prep guides — Compare the ten sections
08 Exit check (last 5 minutes)
| Question | Answer | Decision |
|---|---|---|
| The two parts of a thesis | Event and idea | All three right: move to Paper 3 listening |
| Average characters per paragraph | 130 | One wrong: redo the length budget |
| How far the closing should lift | From the personal to the general | Two or more wrong: return to act three |
09 Tutor FAQ
Should students memorise quotations?
One or two is enough; piling them up reads as padding, and detail scores better.
Can they write an argument instead?
Yes, but follow the verb: if the prompt asks for narrative, narrate.
How to fill a short piece?
Add detail, not morals; detail is the only padding that does not lower the mark.
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A TutorZone lesson-prep guide. Written by the TutorZone team; questions and lesson flow are original and are not taken from any school or publisher material.


